PEOPLE 199 – THIS MAN IS PHOTOGRAPHING YOU (MONO)

 

 

This man is photographing you!
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Selfie with spiral staircase; 5 Nov 2014.

This is a black and white version of a previously posted colour image.  Basically, both shots show me photographing my reflection in the window of a shop that is empty save for a metallic spiral staircase.  The earlier version, shown below (and presented in this post, which has more context), shows more of me and less of the stairway, and is imbued with a strong brown hue.

In this mono version, the staircase is given more prominence and I’m edged out to the side, such that I appear to be sneaking a shot of you around the edge of the image’s frame – sneaking a shot of you from out of a window perhaps.  To me, this second version is starker, colder, more in the raw perhaps – more in terms of the harsh, hard light out on the street maybe.

Which – if any – of these two images do you prefer?

Clicking onto either image will open a slightly larger version in a separate window.

D700 with 70-300 Nikkor at 70mm; 640 ISO; Silver Efex Pro 2, starting at the Architectural preset.

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Selfie with a spiral staircase
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34 comments

  1. I think I ducked out of the way just in time 🙂

    Although I like the brown tones of the original, I have to say the mono is my favourite. I like the way part of you is in the picture – as you say, it is as if you have suddenly appeared in the scene, out of the shadows, ready to take the shot.

    I also prefer where you are positioned – on the right, with the stairs sweeping up to the middle and towards the right hand side. I like the grittiness and harder edge. I also think the light on the side of your face is more pronounced and works better.

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    • Good points, M, thank you – and I agree with you completely. And me emerging suddenly out of the shadows? – you’re playing my tune …

      And my nose appears at least to be healing very well, such that I am having thoughts about pressing large and lumpy cameras to my face again. A

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  2. Mono for me too, Adrian. there’s a lot more mystery and intrigue, as more is left to the imagination. Also, the bright reflections–especially the sharp one on the curved banister–add a lot to counterbalance the brightness of the main element’s side-lit visage.

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    • Not for the first time, Gary – and I’m very sure not for the last time either! – I agree completely with what you’re saying. And, especially, I think your point about leaving things to the imagination is very true – it chimes in with what I was saying in a recent Talking Images post, about not lighting the whole image. Thanks for your considered thoughts, my friend! Adrian

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  3. Adrian, the mono has it hands down – not even close for me. There is intrigue and mystery surrounding the mono but for me this disappears with the colour. Also I like the sweep of the railing on the staircase, it adds further. The second is just a bit flat my tastes, not enough going on…….Well you did ask for my opinion, MM 🍀

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    • Yes, John, I did ask for your opinion – and for everyone else’s too – and, sincerely, I welcome them all. I’m glad the mono gets to you – thank you. I like them both but, if I’m honest, the mono gets more to me too. I felt good about the colour version and I think it was well received but, looking at it, I started thinking about mono – let’s face it, I always start thinking about mono! – and I’m more pleased with this result. Thank you for your thoughts! Adrian

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